Saturday, July 23, 2005

visit
http://www.orangekitten.com/videos/Dark_Journey.mpg

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Friday, July 22, 2005

new world
I need to fuse monsters from Digimon and Yu-Gi-Oh to make the new world if have pictures let me know
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Thursday, July 21, 2005

my name
Ao Ao is the name of a monstrous creature from Guarani mythology. As one of the cursed sons of Tau and Kerana, it is one of the central mythological creatures among Guarani speaking cultures.

The Ao Ao is often described as being a voracious sheep-like creature with a massive set of fangs. Alternatively, it is also described as being a large, carnivorous peccary. Its name is derived from the sound that it makes, howling "Ao ao ao!" when it is pursuing its victims. The original Ao Ao is said to have profound reproductive powers and thus sometimes is identified as being the Guarani spirit of fertility. Ao Ao produced many offspring who are cursed in the same manner, and collectively they served as lords and protectors of the hills and the mountains.

Ao Ao is said to be a cannibal, and as such its sole source of food is humans. Although the creature is clearly not human in description, it is at least half-human by birth, which accounts for its cannibalism. According to most versions of the myth, the Ao Ao, upon locating a victim for its next meal, will pursue the unfortunate human over any distance and over any terrain, unstopping until it has had its meal. If a person attempts to escape by climbing a tree, for example, the Ao Ao will circle the tree, howling incessantly and digging at the roots until the tree falls. In fact, according to the myth the only way to successfully escape from an Ao Ao is to seek shelter by climbing a palm tree. The tree contained some unknown power against the Ao Ao, and if its intended victim did climb one, the creature would howl in defeat and leave in search of another meal.

In some versions of the myth, the Ao Ao would feast upon disobedient children brought to it by his brother, Jasy Jaterei.

Retrieved from "http://en.wikipedia.org/wiki/Ao_Ao"

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Wednesday, July 20, 2005

   idea
listen to three songs at same time on computer. It rocks and gives you energy.
YOUR SOUL IS MINE!!!!!
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13
The Thirteenth Spirit is called Beleth (or Bileth, or Bilet). He is a mighty King and terrible. He rideth on a pale horse with trumpets and other kinds of musical instruments playing before him. He is very furious at his first appearance, that is, while the Exorcist layeth his courage; for to do this he must hold a Hazel Wand in his hand, striking it out towards the South and East Quarters, make a triangle, without the Circle, and then command him into it by the Bonds and Charges of Spirits as hereafter followeth. And if he doth not enter into the triangle, at your threats, rehearse the Bonds and Charms before him, and then he will yield Obedience and come into it, and do what he is commanded by the Exorcist. Yet he must receive him courteously because he is a Great King, and do homage unto him, as the Kings and Princes do that attend upon him. And thou must have always a Silver Ring on the middle finger of the left hand held against thy face, as they do yet before AMAYMON. This Great King Beleth causeth all the love that may be, both of Men and of Women, until the Master Exorcist hath had his desire fulfilled. He is of the Order of Powers, and he governeth 85 Legions of Spirits. His Noble Seal is this, which is to be worn before thee at working.

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story2 holow
In principle, Paul Verhoeven's violent take on the traditional Invisible
Man yarn is perfectly legitimate. However, his delivery of this piece of
work is hopelessly stuck in a creative mire. From the offset it is clear
that "Hollow Man" was produced with one eye firmly on the suspect values
of 1990's horror movies.
Special effects are given a free ride – and as many a director can pertain
to this is often at the cost of the script.
Kevin Bacon stars as a brilliant young scientist (Sebastian Caine) who
manages to perfect a technique where living creatures can be effectively
rendered be invisible.
His research team includes Linda McKay (Elizabeth Shue) who aids him
closely in preparing a live specimen on which to try out the new technique.
McKay is still a target of Caine’s emotions although their relationship has
long ceased to exist.
Josh Brolin provides a typically wooden performance as Matthew Kensington
– understudy to Caine and heartily jealous of his achievements. A successful
experiment on a gorilla is the cue for the now legendary "Hollow Man"
special effects.
To give Verhoeven and his team some credit, the visual aspect of the movie
is quite simply stunning. As the gorilla is injected with Caine’s secret
serum, it seemingly disappears before our very eyes.
Then, upon it's successful materialization the creatures whole anatomy is
laid bare in exquisite detail. Muscle, tissue, bone – its all there. This
is very much a scene for budding pathologists.
Unfortunately, Verhoeven simply fails to deliver any surprises from this
point onwards. Caine is show predictably sampling the formula for himself.
Equally predictable is how he finds himself unable to re-materialize after
having successfully vanished. Neither he nor any of his team can understand
why the formula worked on the gorilla but not Caine. Nor can they establish
a means of manipulating the drug to bring him back. This leads to increased
tension in the laboratory as Caine meanders around invisible – incensed at
his teams apparent failure to procure an antidote.
Bacon and Shue carry much of these particular scenes alone. Brolin is
painfully inadequate in his role – quite typical of this new breed of
detestable sub-standard American actors (Hartnett, Damon and Affleck to
name other offenders) Verhoeven does manage to bring solid performances out
of the two main stars in the piece.
So much so that by the time Caine decides to leave the laboratory to have
some invisible fun, the script has gained a rather surprising momentum.
Also, Bacon shows his quality as he demonstrates the gradual decline into
madness of a man doomed to remain in his current state.
This madness turns to fury as he becomes aware of a secret affair between
McKay and Kensington. Whatever impetuous the script did have is then lost
under a barrage of bloody murders. These killings are moderately entertaining
but far too extreme given the context they are placed in.
As mentioned earlier, Hollow Man’s aesthetic quality is unquestionable. It
is this virtuoso display of computer-enhanced wizardry that makes the
paper-thin conclusion bearable. Bacon manages to maintain a modicum of
control whilst developing his character further. However, Shue goes downhill
rapidly as her character subjects us to an un-edifying display of feminist
twaddle. This kind of banal material has become rather commonplace in
Hollywood horror scripts and stands out a mile to even the most inexperienced
of viewer.
Hollow Man could have been an interesting addition to the under-explored
Invisible Man sub-genre. As it is though, the movie simply lacks enough
substance to keep the viewer interested. Breath-taking effects soon become
tired on the eye, as does much of the robotic cast. Verhoeven’s direction
contains much to be admired.
His Steadicam work is pleasing on the eye, as is his presentation of "The
Hollow Man". Unfortunately, these are the only strings this rather tiresome
piece of work has to it's bow.
Picture and sound quality were of a high standard on the UK DVD used for
this review. Through a quality amplifier, the Dolby Digital Sound is quite
magnificent.
Also impressive is the discs's extras package. Here you will find a number
of short presentations pertaining to how the Hollow Man was constructed and
the excellent special effects involved. These features are of a suitable
length to inform but short enough not to become over-burdening. Two
commentaries, deleted scenes and filmographies complete the package.
A classic case of all style and no substance?


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story
Tagline:-

"Whoever wins... We lose."

Synopsis:-

For thousands of years, the 'Predators,' the alien game hunters, have come to Earth
for one reason: to engage in a coming of age ritual. To become "men," the teenage
'Predators' have to hunt down a hive of 'Alien Warriors' and successfully defeat
them and claim the skull as their trophy. Humans are used as hosts for the 'Alien
Facehuggers.' If the aliens win, the 'predators' set off a bomb to wipe everything
in the vicinity. Two thousand years ago, this happened and the Aztecs, who worshipped
the 'Predators' as Gods, were caught in the middle and killed off in the explosion.
Present day, billionaire robotics industrialist 'Charles Bishop Weyland' (Lance
Henriksen) discovers a pyramid, buried under the ice of Antarctica. 'Weyland' puts
together an expedition team, led by 'Lex Woods'(Sanaa Lathan) to explore the pyramid.
Once they get there, the enslaved 'Queen Alien' awakens from her sleep, which results
in the production of new eggs and 'Facehuggers.' The new hunting clan of teenage
'Predators' have arrived, ready to hunt down both the 'Aliens' and the humans within.


Story/plot:-

The basic plot is interesting but not very detailed as to the origin of either of
the 'alien.' It's more like a videogame, just enough to get the 'aliens' and
'predators' together for a battle. In that aspect, it's similar to "Freddy vs Jason."
I hope this trend ends and we get better "vs. stories". Any kid over age 5 can understand
it, hence the PG-13 which effects the story more than anything else.


Atmosphere:-

There is much really. It tries to be mysterious in origin of the pyramid in the
beginning but after we get that part clear, it's just a videogame of fighting between
'aliens' and 'predator' -- all of the trained human soldiers, save 'Alexa,' are
dispatched shortly after the midpoint. There's really no sense of terror, just
short battles in rapid secession. The terror in "Alien 1-4" and "Predator 1-2"
are lacking here.


Cast/characters:-

There's several characters to keep track of but 95% of them are background
characters who are killed off fast!
The acting is sufficient but nothing great.
Sigourney, where are you??!!
Sanaa Lathan plays 'Alexa Woods,' the female guide of the party hired by 'Weyland'
to search the pyramid. She's supposed to be the strong female character, not
unlike Sigourney's 'Ripley,' but she is no Sigourney!
She comes off as whiny. Not until the end does she come alive. Overall, she's
sufficient since the true stars are the creatures.
Raoul Bova plays 'Sebastian de Rosa,' sort of a translator of the markings within
the pyramid. He's a little difficult to understand at times but he's okay.
Lance Henriksen plays 'Charles Bishop Weyland,' the owner of a huge robotics
company and he's funding this expedition. He's rather rude, arrogant, and bossy.
He is also not as smart as he first appears, as is evidenced by some of his
stupid actions. It's great to see Lance Henriksen return and he does his job.
Blame the writers.


Cinematography:-

It's pretty good but a little dark at times.


FX, Sound, etc:-

The SFX are great. The 'aliens' and 'predators' are as good as their respective
predecessors with a few improvements. The 'Facehuggers' are great, the CGI is
good too. The sound and music are adequate, nothing extraordinary. It didn't
add or detract from the story.


Final Thoughts:-

It's not as good as I expected. It's more like a comic book/videogame. The
background story's ok but the emphasis is on fighting. We don't really see an
'Alien' clash with a 'Predator' until over the halfway point. We see a few
battles that end too quickly. The ending is setup for a sequel in which we might
see one of the home worlds. Sadly, no home world yet. It's not scary like the
others in the series. If you're a fan of the series, it's worth a view.

2.5 of 5 stars



Reviewed By Wolf By Night


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Sunday, July 17, 2005

demons o hamentemp
mince the blade
Bite of hate
faceless lier
beared blind goblin
Beast
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poisoned
aaaaaaaaaggggggggghhhhhhhhhhh
he lives
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Saturday, July 16, 2005

   levels
soul guards
wints
tool maker
avidice
fighter
legendary heroes
dragon spawn
tamer
What are you, ask me and find out
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